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by jrapdx3 3712 days ago
Over the years I've seen (heard) a lot of Shakespeare plays, and I mostly agree with you. Yes, just reading the play is inadequate because the written form is so bare. Attending a live performance is a much better experience. The dialog is meant to be spoken and to be heard.

What I do recommend, and is my own practice, is reading the play before going to the performance. We are especially blessed to read Shakespeare today, the internet is so very helpful. So many versions of every Shakespeare play, most have annotations about Elizabethan language that help the reader make sense of it.

Reading AOT makes it much easier to follow what's happening on stage. Even small local productions can be done well, Shakespearean plays were always meant as entertainment, go and enjoy!

I think you are right about the classification of the plays, Comedy, Tragedy, etc, don't necessarily fit our modern sensibilities. In Shakespeare's time, "Merchant of Venice" was called a "comedy", but in our era we'd say it's more tragic than not. I'd agree familiarity with the play is more important than its categorization.

2 comments

It's been a long time since I was in that position; almost none of the plays are new to me at this stage. (I'll confess, though, that I've neither seen nor read Coriolanus, Cymbaline, or Timon of Athens. Or, for that matter, any of the Apocrypha) For me personally, I would absolutely do exactly the same as you; if I was going to attend a production of any of those plays which I've not yet experienced, I would read the script, first.

But for someone who isn't yet accustomed to the language, I expect that it would be a hard slog, getting through the texts without an actor's interpretation to help you along.

> But for someone who isn't yet accustomed to the language, I expect that it would be a hard slog, getting through the texts without an actor's interpretation to help you along.

That's the beauty of the web. The online transcripts of the plays provide many explanations of the language and its cultural context, which makes the dialog so much more understandable to people coming to it the first time.

Without doing this it will be difficult for a beginner to understand what the actors are saying or what's happening on stage. Frankly, I can have trouble with plays I've seen only once before or haven't seen in a long time, I figure it won't hurt to read it before seeing it again.

>What I do recommend, and is my own practice, is reading the play before going to the performance.

But what about the spoilers?

You don't watch/read Shakespeare for M Night Shyamalan twists, but instead for the quality of the language, the actor's performances, and the director's liberties with the script.