Hacker News new | ask | show | jobs
by 6stringmerc 3721 days ago
Good point for sure. It's not just EDM - a basic Pop song can be produced at practically zero cost once an independent musician and producer has sunk the costs of DAW and equipment into the operation. A lot of music, in general, is stunningly simple. Hip-hop can be done with one MPC and a mic (okay maybe AutoTune as well haha). Country only really needs an acoustic guitar, vocals, and a quality mic. Yes, there's a reason studio quality recordings sound great, and I'm not going to deny that at all. But...

Owl City is a great example of a talented person producing their own material (then mastered) which fit the quality expectations and was, pretty much, recorded in one guy's bedroom.

Gotye's "Used to Know" was recorded all by himself in a room over a barn in New Zealand.

These are just a couple recent examples where I think the technology and dynamics of music production are really coming together (Trent Reznor is a great historical study). Personally I really enjoy playing with a talented drummer - which I will do tonight and probably broadcast on Periscope - but when I'm at home, making tunes that I'll eventually release, I can get fantastic results from Apple's GarageBand "Drummer" algorithm thingy.

The tools that exist now would've changed my world as a teenager. I think teenagers growing up now - the ones serious about making music - have more tools and opportunities than ever before. I'm a wee bit jealous, no lie.

Edit: To clarify regarding your edit, the personal production can now extend to live performance. Rappers typically just have a DJ behind them (sometimes a live band). There's a lot of wiggle-room for mid-market musicians to simply bring their box of backing tracks with them to perform live, and I think that is becoming more and more acceptable. I used to get really odd looks using a Netbook + Akai APC40 on stage, and now that's pretty tame compared to some of the other gear setups indies can employ. This way, the musician makes more money because there are fewer musicians on stage that need to be paid (my personal approach).

2 comments

Teenagers growing up don't only have a plethora more of opportunities & tools -- they also have a plethora of distracting activities that can take away from the careful attention needed to make great music.

Sometimes I believe the guys in the 60s & 70s ironically had it easier because they just sat around, maybe smoking some dope, and played music. There wasn't a smartphone at their hip vibrating every few minutes, so they could really just pour their heart into the music and hey, Pink Floyd, Zeppelin, Beatles, Dylan, etc... you name a great, probably came out of that time period. While I like a lot of stuff today, I do question if it'll hold up to the test of time and personally feel very little of it will when compared to how much did & will continue from the 60s/70s.

Pretty fair point, I can totally see where you're coming from. Music does have a traditionally steep 'learning curve' and it does take focused practice - for good or ill, I do see modern tech and tools being a great short-cut though for a dedicated youngster with enough time on their hands. You're spot on about the number of distractions, that affects even adults who might be working in the industry. Focus is important.

Also, we should keep in mind that there was a ton of silly, throw-away, bubble-gum music during the 60s and 70s. Basically my contention is that the good stuff will, inherently, stand the test of time. Maybe because of, or in spite of, the river of crap surrounding it haha.

It COULD cost that much. But actually it doesn't. See http://www.npr.org/sections/money/2011/07/05/137530847/how-m...

$78k production $1m in advertising