| Short answer:
I'm sorry, I'm against the tech/business approach of this project. Notes:
I'm an ambient electronic music maker (and software maker too). I saw a lot of similar projects since Brian Eno's generative music project. I have been also interested in making algorithmic music (using some AI/artificial neural network schemas), using amazing Supercollider, for a while.
I never achieved interesting results, in terms of "deep energy" instead "embedded" when music is made by "special" humans (so called "artists").
Full stop. Experimenting soundscapes CREATION, in recent years I was back to what I call (along with Steve Roach): "analogic approach": sonic seeds as analogic waves (electro-acoustic) -> (digital) elaborations made by human(s) artist. No MIDI. No "samples" usage as-is. No presets. I could call the musical secret as a case of human intelligence: "search and discovery" of unknown.
Because, this is the point, music is discoveryng of mistery. BTW, I do not want to enter in the loyality-free / real-time composition topic. So long discussed for so many years among electronic music communities!
Good music, is like science inventions: come from "singularities". That said, an interesting point, for me, is the fact Artificial Intelligence could help musicians to make music. Ok, but this is another story, another vision of what music is,
for humans,
for machines respect
giorgio |