A bit OT, but how are you liking the UAD stuff? I know a few folks who have made the leap and feel pretty happy with it. Been thinking of snagging one of the new Apollos.
I massively rate them. Had the Quad PCI for a few years now and it changed my productions overnight. What's good is you get all of the plugins installed and you can click demo to try any of them out immediately. Some emulations are exact (for example EMT250 reverb, Pultec EQ), some are close and have the correct tone but aren't the same as the originals (SSL channel strip for example), some are quite far away but are useful in their own right (mostly the tape plugins like the Ampex and Studer).
This is my full set:
Eventide H910 Harmonizer
AMS RMX16 (reverb)
Oxford Inflator
Oxford EQ
Ampex ATR-102
Lexicon 224
Studer A800
Precision Enhancer Hz
Precision Enhancer KHz
Precision Maximizer
Precision Multiband Compressor
Precision Limiter
EMT140 reverb
EMT250 reverb
Moog Filter
SPL Transient Designer
Roland RE-201 Space Delay
Roland Dimension D
Teletronix LA-2A Compressor
1176LN limiter
1176SE limiter
Pultec EQ
Cambridge EQ
DreamVerb
RealVerbPro
A good friend of mine has a lot of the real gear listed above, and even has a Series B SSL desk, so that guided me to the purchases, but also allowed me to do direct comparisons. I like the way they essentially re-build the machine's components in code (so they'll measure the input and outputs of all of the real components at various energy levels and then emulate them and 'plug' them together as code modules, pretty impressive.
Some plugins really take a lot of juice though, especially some of the newer ones where they're being more ambitious (Eventide, Studer, Ampex, AMX). I am considering getting an Octo to go alongside the Quad. That should last me a few years.
Offloading the plugin processing is very very handy as well, I rarely get the audio glitches because of a lack of CPU like I used to before.
No problem :) I forgot to say, that until yesterday I hadn't ever run out of juice with the Quad and thought 'that's too soon'. It's usually because I have a channel-strip plugin on every channel, got mastering plugins on the master, and tons of effects buses. The Eventide was the first plugin that pushed the DSP so much that half-way through a track I ran out of DSP - that's the only reason I'm considering upgrading.
This is my full set:
Eventide H910 Harmonizer
AMS RMX16 (reverb)
Oxford Inflator
Oxford EQ
Ampex ATR-102
Lexicon 224
Studer A800
Precision Enhancer Hz
Precision Enhancer KHz
Precision Maximizer
Precision Multiband Compressor
Precision Limiter
EMT140 reverb
EMT250 reverb
Moog Filter
SPL Transient Designer
Roland RE-201 Space Delay
Roland Dimension D
Teletronix LA-2A Compressor
1176LN limiter
1176SE limiter
Pultec EQ
Cambridge EQ
DreamVerb
RealVerbPro
A good friend of mine has a lot of the real gear listed above, and even has a Series B SSL desk, so that guided me to the purchases, but also allowed me to do direct comparisons. I like the way they essentially re-build the machine's components in code (so they'll measure the input and outputs of all of the real components at various energy levels and then emulate them and 'plug' them together as code modules, pretty impressive.
Some plugins really take a lot of juice though, especially some of the newer ones where they're being more ambitious (Eventide, Studer, Ampex, AMX). I am considering getting an Octo to go alongside the Quad. That should last me a few years.
Offloading the plugin processing is very very handy as well, I rarely get the audio glitches because of a lack of CPU like I used to before.
So yeah, I recommend them highly.